Colin Self is a composer and choreographer based in New York and Berlin. He creates music, performance, and environments for expanding consciousness, troubling binaries and boundaries of perception and communication. His recent work, The Elation Series, is a six-part sequential opera about queer family and global transfiguration. In 2015 he released his debut solo record Elation and toured with Radiohead as part of the Holly Herndon trio. Self has presented work at The Dutch National Opera, HAU Berlin, The New Museum, MoMA PS1, The Kitchen NYC, Issue Project Room, amongst various other festivals and venues internationally.
Self is a Rhizome Commission Grant recipient for his video project ClumpTV, a Queer Art Mentorship Fellow, and was an Eyebeam Resident in 2016. He is a co-founder of queer collective Chez Deep, and The Radical Diva Grant, and is a vocalist for the electronic duo Amnesia Scanner. His recent work, The Fool, was co-created with Raul De Nieves and presented at The Kitchen NYC. His latest opera, Siblings (Elation VI) premiered at Donau Festival in Krems, Austria in 2017 and MoMA PS1 in March 2018. 2018 also saw Self release his second album, Siblings, on RVNG Intl.
Com Truise is the nom de guerre of producer and designer Seth Haley, raised in upstate NY and currently working out of LA. His synth and sci-fi-obsessed records are as infectious as they are expansive. From his breakout EP in 2010, Cyanide Sisters, to his first LP for Ghostly in 2011, Galactic Melt, and his numerous records, remixes and collections to follow, Com Truise has refined his singular style of melodic beat music. Each piece ties together his ideas of synth-wave and slow-motion funk amidst a glowing backdrop of rich, nostalgic pathos.
Though undoubtedly influenced by his parents' record collections and old, faded product design, the Com Truise project doesn't only pull from the past. Hints of Joy Division, New Order and Cocteau Twins bubble up in every prismatic piece, but it's as if they're processed through a waterlogged game console — warped, cybernetic and high-definition. Uniquely, Com Truise sounds both familiar and uncanny, and always handmade.
Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.
Drewchin made her full-length debut as Eartheater in 2015, releasing two consecutive albums — Metalepsis, followed by RIP Chrysalis. She has since signed to renowned experimental label PAN, who released her latest album, IRISIRI, in 2018.
In addition to her Eartheater project, Drewchin performs and collaborates with art duo and close friends FLUCT. She also starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen, and was featured on two tracks from Show Me The Body’s Corpus I mixtape. She also recently composed work for the contemporary chamber orchestra, Alarm Will Sound, that debuted in 2018.